FW 24
Like Woolf's Orlando, she travels between different time and space. At this moment, a gallery is holding its opening ceremony in Chelsea, New York. She is staring at an elegant lady standing in front of a painting. A fastener is doing its duty with due diligence to guard the switch on the black cape, and the round arcs pouring down from her shoulders form a safe range for her that says strangers are not welcomed Next scene, Milan in the 1990s. Compared to the game between black and white, this place is a gray intermediate region. The lady is hiding in a corner at a night party, seeing a woman taking off her dark gray tweed overcoat reluctantly and depositing it together with the bag in her hand. In the blink of an eye, it has been another half century. Judging by the costumes of the passersby around her, it should be Paris in the late 1940s and early 1950s. Grand elegance is the theme of everything — the corset gives the body a graceful curve, and the overskirt blooming from the waist is writing an ode for the beauty of women.
